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Flash #3 Variant by Jim Lee

Nabbed a slick piece of art today at the local Hastings in the form of a Jim Lee variant for Flash #3. Check out the beaut below:

Comic Book of the Week (12.21.2011)

Wolverine & the X-Men #3

Prior Comics of the Week

Comic Book of the Week (12.14.2011)

Batman and Robin #4 and Batwoman #4

Prior Comics of the Week

Splish, Splash (12.21.2011)

Blackest Night #8

Prior Splash Pages

"The Secret History of D.B. Cooper" variant by J.H. Williams III

I just got wind a couple days back from Bleeding Cool, which showcased a variant cover for Oni's "The Secret History of D.B. Cooper" by none other than J.H. Williams III. Williams has been headlining DC's NEW 52 with his stellar Batwoman art and story arc. Thus far the series has been phenomenal. Batwoman has made my top comics list several times now, and I have even featured a splash page of his on my latest post in the "Splish, Splash" page of the Martian. He is a brilliant artist and I would highly recommend picking up some Batwoman issues. I will now let Oni's variant and the art of J.H. Williams III speak for itself:

Martian Manhunter by Alex Ross

Writing for the Examiner, hosting two blogs, as well as freelancing in my spare time forces me to network quite a bit. I love meeting new people, especially writers and artists so it truly is a labor of love. I subscribe to several social media sites including Tumblr; just this morning a fellow Tumblr posted a beautiful rendition of Martian Manhunter by Alex Ross. I fell in love with the sketch and I knew that I had to post it here, because after all this is the "Martian Manhunter Comic Book Blog."

I chose Martian Manhunter because he is my favorite underdog of all time. He has clout within the industry (after all he did head the JLA for quite a while), but outside of comic book aficionados the Manhunter from Mars is practically invisible. He is labeled as the "poor man's Superman." I, however, love him. He is unique, has an amusingly quirky comic book history, he is a badass, and most importantly he loves Oreos. It all just--makes sense.

Anyhow, enough of my ramblings--here is the Manhunter from Mars by the talented artist Alex Ross:

Splish, Splash (12.16.2011)

Batwoman #4

Prior Splash Pages

Splish, Splash (12.14.2011)

Sinestro Corps War

Prior Splash Pages

The Dark Knight - Prologue

A couple of days ago I was graciously invited to an advance screening of the Dark Knight Rises Prologue at the IMAX in downtown Spokane, WA. I, of course, accepted and was able to take my girlfriend to the event. The six or seven minutes of Christopher Nolan’s film was to be shown at 10pm, so we hightailed it over to the theater about forty-five minutes early where we were pleasantly surprised by a pair of free t-shirts (featured in the slideshow). Both have logos depicted in an echo location style of print—one has an image of bat with the word “Legend” below it and the other a picture of Bane’s mask with the word “End” below it. Definitely a nice perk for attending the event.

The theater was packed and before the film reel rolled one of the attendants gave an announcement detailing out the dos and don’ts of the event. Obviously no cell phones or recording devices were allowed during the showing. As an aside, Spokane was one of only thirteen cities premiering the prologue; I found this particularly surprising and it sparked a deep sense of pride in my little hometown.

The prologue begins with Commissioner Gordon giving a press conference and eulogy for the late-Harvey Dent. Afterwards the footage segues to the next scene, which depicts a plane readying for take off. Aidan Gillen (portraying an undercover CIA Agent)is standing in front of a plane, with several of his henchmen, leading Liam Neeson’s character,Ra’s Al Ghul, with two other hooded figures. The two-cloaked hostages are ‘not apart of the deal,’ but they are allowed to board the plane at the behest of Ra’s. Once on the plane the two masked figures are interrogated by shoving their heads out the door of the plane, whilst being threatened with a gun by Aiden Gillen’s character. During the interrogation with the second, hooded individual the first begins to speak and the title’s main villain, Bane (played by Tom Hardy) is revealed to the audience. Aidan Gillen and Bane quip back and forth about the seemingly foolishness of Bane’s actions, but toGillen’s surprise their plane is quickly and efficiently taken out of commission by Bane’s special commandos residing in plane of his own. During their conversation a much larger plane had flown above Gillen’s plane and several commandos rappel down to the plane below and proceed to shoot out the windows killing most of Gillen’s men. They then attach a number of cables to the body of the aircraft and the plane above ascends ripping the smaller plane upwards, which tears the wings off and sends the remaining passengers of the plane plummeting to the nose of the destroyed aircraft. The special ops team then blows the tail of the plane off leaving the body of the plane exposed to the sky. A cadaver is lowered and ostensibly resuscitated by one of Bane’s loyalists via blood transfusion. Another one ofBane’s fanatics remains behind and it is conveyed between the two that this event and the destruction of the plane, with the cadaver and other passengers, will be the “fire” that starts a new chain of events. The scene concludes with Bane and his bloodletting loyalist being parachuted out of the plane as it is released from Bane’s larger plane. The smaller aircraft begins to free fall back towards the ground. From here the screening concludes by showing various snippets of the Dark Knight Rises including: mobs of Gothamites swarming the city, varying scenes highlighting Bane, Catwoman, and finallyBatman holding a cracked cowl (similar to the newly released poster.)

Overall, I thought that the footage was amazing. The action sequences were tight and it made me went to see the film, even more so than before. The only complaint that I heard from my fellow patrons was the fact that Bane’s voice was near unintelligible. His words were garbled, due to the mask, and without context the dialogue, or lack thereof, would be indecipherable. I overheard some moviegoers liken it theStatler & Waldorf Muppets laughter as they mock the other’sMuppets from their balcony. Christopher Nolan has already stated that Bane’s indecipherable dialogue was done purposefully and they he is not going to alter it. However, with enough complaints I believe that Nolan might reconsider and re-mix the sound in the editing process. Personally I could see how this style could be advantageous to the characters—it adds an aura mystery. But if this ‘style’ persists I could see it becoming quite distracting from the rest of the film.

Nevertheless, I am quite excited to see the last of Nolan’s Batman trilogy. We will see how it pans it in the coming months leading up to its summer release!

The Defenders #1 (2011)

Essentially, the Defenders are a motley crew of superheroes that cannot hold a solo title in the current market, so they are brought together in the hopes of a successful team title. Several incarnations of the Defenders have existed over the decades, but a few of the members have become staples to the odd team-up. The core individuals that compose the mash-up include: Doctor Strange, Namor the Sub-Mariner, and the Silver Surfer; in its current iteration Doctor Strange,Namor, the Silver Surfer, Red She-Hulk, and Iron Fist are all gathered together by the Hulk to take on a new nemesis.

This time around the group is called in an effort to take down the Black Hulk—a byproduct of the Hulk’s involvement concerning Nul’s mystical hammer in last summer’s event,Fear Itself. Because the Hulk is too close the issue at hand he is used merely as a catalyst to bring the group together and then steps back in order to let the new Defenders face the problem head on.

The first issue does a great job of introducing all the characters and setting up a ‘plausible’ explanation for the joining of such a usual assortment of characters. Doctor Strange is a little less likeable and forthcoming in this comic, but it is still apparent that he is their leader. Namor is a jerk like always, but honestly that is what makes Namor, well…Namor. The Silver Surfer is mysterious and philosophical, and the brief banter between him and Namor is pretty amusing. Red She-Hulk is a good inclusion and adds a great layer to the already interesting dynamic; she seems just as troubled as Doctor Strange and I will be looking forward to the development between the two stoically, flawed characters. Also, included in the newly formed team is Iron Fist. He seems intrigued by the new threat, but as a whole fairly laissez faire about his team members—they are merely a distraction to him and his comic book reading time.

The writing is excellently executed and Matt Fraction does a wonderful job setting up the team and sending them on their path. I found a couple of discontinuities between Fraction’sMighty Thor and the first issue of the Defenders, but nothing that ‘breaks’ the comic. Overall, the art is solid. The Hulk’scharacter model looks a little ‘off’ in my opinion, and that very well could be because I have taken to Marc Silvestri’sbearded rendition of the Hulk in the fourth volume of theIncredible Hulk. However, I thought that they sequences involving Namor and the Silver Surfer were incredibly well crafted.

All in all I thought that it was an excellent foray into the rebooted series and I am curious to see how the group’s dynamic will evolve as the heroes spend more-and-more time with one another during their travels. I rate Defenders #1four-out-of-five stars.

Pick up the first issue of the Defenders at your friendly, Spokane Merlyn’s Sci-fi and Fantasy Store located at 19 W. Main Street in downtown Spokane, or at one of the three local Hastings spread throughout the city.

Comic Book of the Week (12.7.2011)

Defenders #1

Prior Comics of the Week

Walking Dead vs Walking Dead

Walking Dead is a series of Image Comics created by RobertKirkman and Tony Moore in early 2003. After the first story arc (issues 1-7) Charlie Adlard replaced Tony Moore as lead artist; however, Moore produced the covers till issue number twenty-four. Walking Dead has received numerous accolades and industrial nods including an Eisner in 2010 for ‘Best Continuing Series.’ The success of the series continues well into the new decade and has been adapted for television by AMC.

Recently the show broke for its midseason break that left viewers in shock at its stellar conclusion. With the television series hitting mainstream success many Walking Deadviewers are becoming Walking Dead readers, so how do the two stack up against one another?

Comparison

First off I would like to mention that I love both the Walking Dead graphic novels and television show. Walking Dead is truly one of the best comic book runs and television programs that both industries have to offer. Basically there are not too many downsides to either the comic book or the show.

The comic series has been in production for eight years and is constantly evolving and becoming something better than it’s predecessor. There are numerous pros for the comic book series: First off Robert Kirkman is a great horror storyteller. He knows how to grab you and keep you hooked even when he is depicting the darker side of humanity—especially when he is depicting the darker side of humanity. His ideas seem to be bountiful, and the direction and surprises are always ever changing. Also, I would highly recommend reading the introduction to the first volume ofWalking Dead. It has some great insight into the creation of the series; Kirkman writes, “The Walking Dead will be the zombie movie that never ends.” And, to propel this everlasting zombie tale a strong lead is in order and at that premise a wonderful character, by the name of Rick Grimes, was born. He truly is the lightning rod in the series; he keeps the plot and other characters grounded. He is a relatable character who stays sane by adhering to a strict code of ethics. He has very black and white view of right and wrong, and this code is makes him a very capable leader as well as an interesting character to read about. Truthfully, there is not much to complain about the series. Personally I prefer Tony Moore’s art, in the first volume, rather than Charlie Adlard’sstyle. Moore’s art is more detailed and clean cut and the grey tones are phenomenally rendered. Adlard’s art tends to be a bit rough around the edges and less detailed (fewer grey tones). However, I can see the change in artists being justified because as Walking Dead progresses and the survivors of the zombie apocalypse become more and more haggard and removed from humanity the gritty artwork can be looked as a means to accentuate the plot. The trade paperbacks also seem to cut off in odd places at times. This is done in an effort to make all the graphic novels meet the same page count while maintaining a single price point. Image Comics could have easily used a varied pricing system and page count for the trade paperbacks akin to Vertigo’sFables series.

The television show blends a lot of the comic series, while still maintaining its own uniqueness by fleshing out alternate plots and adding/changing the characters found within the comics. This is a great idea because by keeping the atmosphere of the Walking Dead comics, but by having Kirkman expand on new ideas, fans of the comic series will be attracted to the show but stay because of the new storylines. The new characters added for the show are a great addition to an already stellar cast. Daryl Dixon who is not featured in the comics, but was added for the television series has quickly become a fan favorite and garnished just as much attention as the lead, Rick Grimes. The additions to the cast create an interesting and different dynamic that flourishes wonderfully on film. The cast selection for the show is fantastic, and almost every actor brings a great presence to the screen while conveying an aura of believability in such a post-apocalyptic urban landscape. Also, the availability of the first season on Netflix is a huge plus, so if anyone has not had the chance of catching the first season and has Netflix—check it out! The only real drawbacks to AMC’s Walking Dead is that the first season is far too short—a scant six episodes, and the second season had a great intro, a slow build-up, but an excellent midseason finale.

One of the more dichotomous aspects of both the comic book and the television show pertains to the series characterShane Walsh. I include this as both a negative and a positive. I thought that his fate in the comic series was incredibly poignant and served as an excellent foray into the genre. However, within the television series he is the character everyone loves to hate and he serves as Rick’svoice of discontent. Both serve their purpose and it is hard to label one or the other as merely a pro or a con—it is somewhere in between.

Honestly, I am not sure if I could rank one above the other. I have been desperately trying to holistically grade them in an effort to recommend one above the other, but I get just as excited picking up the newest Walking Dead graphic novel as I did watching the latest episode. Both iterations have their pros (more so than their cons) and with Kirkman’s hand in each I think that they will both be highly successful. I give them both high marks.

Pick up any and all Walking Dead comics and graphic novels at Merlyn’s Sci-fi and Fantasy Shop in downtown Spokane on 19 W. Main Street, and pick up the first season, available on DVD, at your local Spokane Hastings for only $15.99.

Daredevil #6

I love the newest cover of Daredevil. It is very reminiscent of an old boxing poster, which then of course conjures up images of Daredevil's father, Battlin' Jack Murdock. Thus far the latest Daredevil run has been superb. I'm not a huge Daredevil fan, but my girlfriend recommend the series to me as a tie-in to a character spotlight article that I was working on and I was instantly entranced by the quality. One of Marvel's more solid series by far.

The Human Torch returns in Fantastic Four #600!

Last Winter Marvel Comics killed off the Human Torch, aka Johnny Storm, and thus the Fantastic Four was no longer four. Spring boarding from the death of Johnny Storm the Future Foundation was formed with the inclusion of Peter Parker (Spider-Man). The remaining members of theFantastic Four extended a hand to Spider-Man at the behest of Johnny via his last will and testament. So far the Future Foundation has had an amazing twelve issues and fans have been flocking to the new series for months now due to Jonathan Hickman’s exception writing.

A promotional piece for the Fantastic Four #600 began to circulate several months ago and hinted at the return of theHuman Torch (featured in the slideshow). Many speculated that the preview art did not showcase Johnny Storm, but instead a new hero with similar powers; others, with a more traditional approach, speculated that Johnny Storm would somehow be miraculously rebirthed, within the Negative Zone, and return home.

Continue reading at Examiner.com....

Comic Book of the Week (11.30.2011)

Wolverine #19

Prior Comics of the Week

Slow Week Equals Walking Dead (No Pun Intended)

I haven’t had the pleasure of physically perusing my comics for this week, but after looking at this week’s releases (on an online catalogue) it doesn’t look like a plethora of comics will be hitting store shelves this week. Between my girlfriend and I we have a whopping two comics in our Merlyn’s subscription pile. After several fifty dollar weeks I suppose a six dollar once is in order every once in a while.

As recommended by Bleeding Cool (which I of course am seconding here) this would be an excellent week to catch up on some TPBs. It’s the perfect time to pick up some graphic novels, because after all the sales are only going to get better from here till the New Year. I personally plan on picking up a "Walking Dead" TPB or two this evening to fill in my comic void. I also heard via Bleeding Cool that this week’s issue of "Wasteland" was a good comic to pick up in case you’ve missed it. It’s similar to "Walking Dead" except more along the vein of "Mad Max." A comic underdog.

Speaking of Walking Dead and Mad Max I’m planning on writing a comparison of the Walking Dead graphic novel and television show. With the aftermath of the mid-season finale still lingering horrifically in our hearts I think it would be a perfect time to compare the series with the source material. I’ll most-likely structure my review akin to my “Wolverine: X-23 vs. Daken” article by describing the two, their similarities and differences, and then wrap up the expose with my opinion and an overall ‘favorite.’

Also, on the Mad Max front I was pleasantly surprised to find out that George Miller will be making three new Mad Max films featuring Tom Hardy (Inception) as the eponymous protagonist.

Well, that’s the wrap-up. Enjoy the holidays everyone!

Comic Book of the Week (11.23.11)

Aquaman #3 and Green Lantern: New Guardians #3

Prior Comics of the Week

The Flash, Aquaman, Green Lantern, and Superman

While perusing the DC Comics website this morning (looking at today's new releases) I came across some truly awesome cover art. I think that DC pulled out some of the stops this week, because I was fairly impressed with the lot. Below are the covers for the Flash #3, Aquaman #3, Green Lantern: New Guardians #3, and Superman #3. Hopefully you enjoy these pieces as much as I did!

Batman: Arkham City in Review

Gotham City is one of the most iconic cities in all of pop culture. Even though Gothamis fictional, it has a deeply distinct atmosphere that takes the worst of all cities and combines it with an excellent cast of characters and an unrelenting sense of hope. The city is gloomy and cold, but at its heart it is filled with a rich and compelling history that has created decades of interesting tales that all layer additional complexities to the already infamous city. To recreate this wonderful dark cityscape seems a daunting task, and time and time again video game and film companies have botched the creation Gotham and its Dark Knight.

However, Rocksteadynailed the grittiness of Gotham Cityright out of the gate with Batman: Arkham Asylum and continues to do so with their newest installment, Batman: Arkham City. One of the more poignant messages that I gained from watching Arkham Asylum’sin-game development diaries was that the team behind Arkham Asylum and Arkham City made it a staple to gather and read a plethora of Batman comics in order to find the Caped Crusader’s core, while recreating Gotham’s macabre ambiance. Without adhering to the source material Rocksteady’s Batmanseries would be nowhere near as successful as it is.

Batman: Arkham City

Plot

Arkham City takes place immediately after the events of Arkham Asylum, so individuals who have wrapped up the first title should recognized a lot of the original framework that Rocksteady built. For those who haven’t played the first title I would highly recommend doing so; it is an excellent foray into the adventures of Batman, which are very loosely based upon Grant Morrison’s Arkham Asylum: A Serious House on a Serious Earth.

The game begins with the creation of Arkham City, which is essentially a walled ghetto meant to house all of the inmates of Black Water and Arkham Asylum. All of this is seemingly at the behest of Mayor Quincy Sharpe; however, Dr. Strange is truly the mastermind and Sharpe is but a puppet. Bruce Wayne becomes pressured politically and inevitable tries to use his status by publically decrying the new institution. Dr. Strange and his cohorts have other plans though and during Wayne’s protest speech he is forcibly captured and thrown into Arkham City with several other Gotham Cityresidents.

From here, the story unfolds as Bruce picks up his equipment in order to transform into Batman, thus thrusting him into a war between all of Gotham’s felonious with Dr. Strange at the very center of it all. Two-Face, the Penguin, and the Joker have all cut out sections of the city and quickly gathered lesser criminals together in order to patrol and guard their new respective hideouts. Batman has to avoid or battle these patrolling goons in order to move throughout the city from objective to objective, which keeps even the most basic interactions interesting because as the plot progresses the henchmen become quite lethal.

The rest of the story unfolds fairly quickly and involves countless Batman villains and antiheroes right up to the surprising and twisty conclusion that easily sets up Rocksteady for a sequel.

Visual/Sound

Visually Arkham Cityis gorgeous. The city is sculpted masterfully and each area has a very distinctive feel to it. The city is broken up into the Bowery, Amusement Mile, and the Industrial District. As aforementioned, specific villains have etched out these districts into hideouts of their own, but as Batman transverses them in order to complete the varying objectives and quests it is almost impossible not to stop and gander at the beautiful scenery.

The Bowery is wonderfully depicted and is most akin to Gotham City, meaning that much of this area is complete and undestroyed. Amusement Mile is mostly underwater due to catastrophic earthquakes, and the Industrial District is an unusual amalgamation of smoke stacks, smelters, and amusement park rides—a perfect residence for the Clown Prince of Crime.

Beneath the expansive outer layer of Arkham City reside numerous buildings and sublevels (including a sizeable subway system). All of the buildings provide a distinctive ambience and usually represent a specific villain. For example the oldGotham City Police Department is coated in frost due the influence of Mr. Freeze.

Essentially the graphics and art direction are near perfect and uphold the source material brilliantly. The sound is also superb and tops off the immersion with its carefully chosen soundtrack, background noises/music, and fantastic voice acting. As an aside, it has been publically announced by Mark Hamilthat this will be his final gig portraying the Joker.

Gameplay

The gameplay is quite similar to that of Arkham Asylum. Batman comes equipped with various gadgets and as the story progresses Batman’savailable arsenal increases allowing him access to certain areas that he wouldn’t have normally been able to reach. One of the vast improvements to the series is the inclusion of the glide. Previously it didn’t make sense to have this mechanic, but because Arkham City is open world the glide and grapple mechanism allow the Caped Crusader to travel around the city with ease and a fluidity that would not otherwise be allowed.

All of these gadgets have several upgrades that can be earned after a certain amount of experience has been gathered. The upgrades usually pertain to Batman’s combat or increase the ability of the gadget allowing him even further admittance to new areas—usually to gain access to a hidden Riddler trophy.

Also, included this time around are a dozen side quests that include a wide range of DC Comiccharacters that flesh out the story and gameplay. The Riddler side quest is by far the most enthralling of the dozen. The Riddlertrophies, riddles, question mark quests far outweigh its predecessor and together is by far the longest of the sub-campaigns.

Besides these improvements the overall gameplay remains essentially the same, which honestly doesn’t hinder its newest installment in the slightest. The blend of combat and predator modes creates a compelling campaign that once topped off with the plot and DLC makes for a fantastic, near perfect game.

Downloadable Content

The replayability of Arkham City is immense! Personally I have sunk more hours after the credits rolled than I did playing the actual campaign. This is not to say that the main story is short, just the opposite in fact! The side quests, collectibles, challenge maps, and downloadable content easily add forty-hours of gameplay to the already stellar title. All in all you’re looking at forty to sixty total hours.

The Catwomanexpansion pack adds Catwoman, three character skins, and a small campaign comprised of four separate missions that can be individually accessed from the main menu, or experienced interwoven throughout Batman’s campaign. Her missions are short, but her maneuverability, speed, and gadgetry make for a quick paced, pleasurable experience.

The Nightwingexpansion is personally my favorite of the DLC packs. It adds Nightwingto Arkham City’s roster, two playable skins, as well as two additional challenge maps.

Releasing November 22^nd, Rocksteady will be adding Robinto the mix, which will include challenge maps and additional skins.

------------------------------------------------------------------

Relevance to the Comic Industry

In tandem with Rocksteady, DC Comics included a five-part comic series that fills in the gap between the first two games, so if anyone wants a little more filler and detail into the lead up and causality of Arkham City then these comics would be a perfect fit. Also, a one-shot comic was available for purchasers of the Batman: Arkham City collector’s edition came with a special one-shot comic that I thought more succinctly tied Rocksteady’stitles together. The art and story within this one comic was of a lot higher caliber than the miniseries and if given the chance I would recommend the one-shot over the miniseries, but both provide an excellent array of information for those gaming completionists.

I thought that the miniseries and the one-shot both did a great job framing the plot of Arkham Citynicely, but Rocksteady also did a fantastic job by not making them a requirement. The game’s plot is still fully understandable without the aid of the comics; the comics merely had an additional layer to the story by tying the two mediums and industries together.

Summation

Overall, I give Batman: Arkham City five-out-of-five stars. If interested you can pick up the graphic novel form of the comic book tie-ins at Merlyn’s in downtown Spokane at 19 West Main Avenue. Also, the Batman: Arkham Cityis available at the varying Spokane GameStoplocations for $59.99 new and $54.99 pre-owned.

Comic Book of the Week (11.16.2011)

Batman #3 and the Red Hood and the Outlaws #3

Prior Comics of the Week

Comic Book of the Week (11.9.2011)

Green Lantern #3

Prior Comics of the Week

The Father, the Daughter, and the Son

With the first four, only the true son one would remain.

But the others would transform, leaving just Gotham’s reign.

Traveling tents filled with laughter and flight

A colorful family born into the show

Then, one day tragedy would strike

Taken under the wing of the bat…signal aglow

The first of four, one day, became…

Confident, assured, R.I.P. the day

He became the second Bat to bear the name

Out with the old, in with the new, but still Gray

Another son colored in red

Quick as a whip; founded in truth

Tried and tested, he globe trotted, and bled

For the cowled Father, he gave his youth

Not last, maybe not least, the youngest of four

Deserves proper mention to complete Robin’s lore

The League came calling for the Crusader

One worthy to lend the armies of the ghoul.

However, the Dark Knight declined, denying the Maker

Like the youthful dragon the Bat was no fool

The beautiful daughter of the assassin’s immortal

Would fall…in love with her Father’s would-be protégé.

The two would sire the last of four, a lover’s quarrel

Would commence. Eventually the Bat would fall prey.

The blood of the Bat marked as A positive

Trained well, but tormented; Wayne’s little gift and curse.

The World’s Greatest Detective would fall victim to his own causative

With a lot to learn Damien is blinded and hungers for thirst

There is of course more to this story, but for now we’ll sleep.

Because within these sleepy walls resides Master Wayne’s Keep.

WATCH Flash #3 Variant by Jim Lee FULL MOVIE ONLINE STREAMING

WATCH Comic Book of the Week (12.21.2011) FULL MOVIE ONLINE STREAMING

WATCH Comic Book of the Week (12.14.2011) FULL MOVIE ONLINE STREAMING

WATCH Splish, Splash (12.21.2011) FULL MOVIE ONLINE STREAMING

WATCH "The Secret History of D.B. Cooper" variant by J.H. Williams III FULL MOVIE ONLINE STREAMING

WATCH Martian Manhunter by Alex Ross FULL MOVIE ONLINE STREAMING

WATCH Splish, Splash (12.16.2011) FULL MOVIE ONLINE STREAMING

WATCH Splish, Splash (12.14.2011) FULL MOVIE ONLINE STREAMING

WATCH The Dark Knight - Prologue FULL MOVIE ONLINE STREAMING

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WATCH Walking Dead vs Walking Dead FULL MOVIE ONLINE STREAMING

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WATCH The Human Torch returns in Fantastic Four #600! FULL MOVIE ONLINE STREAMING

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WATCH Slow Week Equals Walking Dead (No Pun Intended) FULL MOVIE ONLINE STREAMING

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